Italian Polychrome Enthroned Madonna and Child c.1680
An exceptional ItalianĀ polychromed and gilt enthroned Madonna and Child devotional sculpture created c.1680 The Madonna is depicted enthroned upon a āslung backā chair of the period, which has a wonderful vibrant gilded inscription to the back panel of the chair. She is seated swathed in scarves and robes, with a large amount of the residual gilded polychrome remaining. Even the back to her cloak is a strong Marian blue. Most noteworthy is the exquisite and gentle carving of the Madonnaās serene face and the life-life engaging quality of the Infant held on her lap. Her smaller scale would have suggested this piece would have been createdĀ for personal devotional use in a private chapel or within intimate shrine at home. A rare and wondrous work of art.
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Italian Polychrome Enthroned Madonna and Child c.1680
Italian Polychrome Enthroned Madonna and Child c.1680
An exceptional ItalianĀ polychromed and gilt enthroned Madonna and Child devotional sculpture created c.1680 The Madonna is depicted enthroned upon a āslung backā chair of the period, which has a wonderful vibrant gilded inscription to the back panel of the chair. She is seated swathed in scarves and robes, with a large amount of the residual gilded polychrome remaining. Even the back to her cloak is a strong Marian blue. Most noteworthy is the exquisite and gentle carving of the Madonnaās serene face and the life-life engaging quality of the Infant held on her lap. Her smaller scale would have suggested this piece would have been createdĀ for personal devotional use in a private chapel or within intimate shrine at home. A rare and wondrous work of art.
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Description
An exceptional ItalianĀ polychromed and gilt enthroned Madonna and Child devotional sculpture created c.1680 The Madonna is depicted enthroned upon a āslung backā chair of the period, which has a wonderful vibrant gilded inscription to the back panel of the chair. She is seated swathed in scarves and robes, with a large amount of the residual gilded polychrome remaining. Even the back to her cloak is a strong Marian blue. Most noteworthy is the exquisite and gentle carving of the Madonnaās serene face and the life-life engaging quality of the Infant held on her lap. Her smaller scale would have suggested this piece would have been createdĀ for personal devotional use in a private chapel or within intimate shrine at home. A rare and wondrous work of art.























